'The Hunger Games' District Buying and selling Cards: Leader Snow and Seneca Crane [Moviefone Exclusive]

Anticipation for 'The Hunger Games' is constantly on the build such as the Games's countdown clock within the fabulous trailer (still watching that certain every single day, FYI), and a minimum of a part of which has related to the elevated fan interaction around the District Facebook pages. All of Panem's 12 districts saw a (imaginary) mayor chosen a week ago, and today Lionsgate has launched a spate of collectible online District buying and selling cards to coincide with individuals coronations, featuring your preferred 'Hunger Games' figures -- in addition to a number of your potentially least favorite. Such as the duplicitous Leader Snow and Gameskeeper Seneca Crane! Moviefone has your exclusive first-consider the Snow and Crane cards, which you are urged to print and possibly use like a dart board. Seriously, like Katniss wouldn't perform the same factor? The Tribute Buying and selling Cards showcase all the District Tributes and have some key stats about each one of the participants. If you are a 'Hunger Games' newbie, it's a terrific way to become familiar with a few of Katniss's competition -- make sure to take a look at Glimmer and Cato -- and when you are a lengthy-time fan, them really are a fun indication that 'The Hunger Games' is a touch under four several weeks from coming in theaters. Mind to the 'Hunger Games' Facebook page for additional and look for them below. 'The Hunger Games' -- starring Jesse Sutherland as Leader Snow, Wes Bentley as Seneca Crane, Jennifer Lawrence as Katniss Everdeen, and Liam Hemsworth, Josh Hutcherson, Elizabeth Banks and Woodsy Harrelson -- comes to theaters on March 23, 2012. Browse the full gallery below there has been stirrings of real buying and selling cards being printed. [Photo: Lionsgate] 'The Hunger Games' Character Posters See All Moviefone Art galleries » Follow Moviefone on Twitter Like Moviefone on Facebook

ROLL CALL: Kelly Osbourne, Jennifer Love Hewitt & Pam Anderson To Guest Judge On RuPauls Drag Race

First Launched: December 12, 2011 12:33 PM EST Credit: Logo design design Caption RuPaul noticed in a promo shot for RuPuals Drag RaceLOS ANGELES, Calif. -- Your Day-to-day Dispatch of Celebrity Shenanigans Stars Sashay Onto Drag Race: The arrival Season 4 of RuPauls Drag Race premiering on Logo design design around the month of the month of january 30 could have a slew up Celebs understanding the fierceness in the shows would-be drag full stars. Logo design design introduced on Monday that Kelly Osbourne, Jennifer Love Hewitt, Pam Anderson, Glees Amber Riley, Rose McGowan, Jennifer Tilly, Natalie Cole, Regina King and Wynonna Judd will probably be a couple of from the shows celebrity guest idol idol judges. Nonetheless it is not only the women which will be knowing Rus women. Jesse Tyler Ferguson, former Basketball stars John Salley and Ron Fox as well as the Tonight Shows Ross Mathews may even offer their sassy assumes the ladies. Have a look in a trailer for your year HERE! Hairspray Star Sweeping Hair!?: Typically the most popular airport terminal terminal brawler and former Hairspray star Nikki Blonsky features a new gig that requires a broom! According to Radar Online, the actress is trading in certain several hours at Celebrity Hairstylists in their hometown of Great Neck, NY. I used to be inside the salon getting my hair done which i saw her working there. I couldnt accept it. She was sweeping up hair but furthermore doing peoples constitute, an individual told the site. This isn't the first time Nikki has recently labored inside the service industry. Remember when she apparently labored inside a shoe store in their home town however declined working there? Have a look at Nikki working the broom, HERE! Lindsay Rocks A Bikini!: Speaking about stars having a couple of career bumps, Lindsay Lohans Hawaiian weekend wasnt only filled with missing purse shenanigans. The actress needed some time striking the beach in the bikini and displayed the ladies. Start to see the actress developing a splash, HERE! Entirely Blossom: Lindsay wasnt really the only star revealing some skin in the last weekend. Orlando Blossom, who's in Nz filming The Hobbit, needed somewhat beach break, where he and boy Flynn were both spotted searching adorable. Start to see the proud father and boy, HERE! Snooki Puts A Bow About It: Jersey Shores Snooki is praising the holidays with boyfriend Jionni and so they displayed their first tree together. Have a look at Snookis remarkably well toned lower Christmas tree (where the tree poof?), HERE! -By Jesse Spero Copyright 2011 by NBC Universal, Corporation. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.

Fests get kicks from kudos

'Pina''Beauty''Where Will We Go Now''Footnote''Once Upon A Period in Anatolia'This year's listing of foreign-language film Oscar challengers features a goodly quantity of photos that world preemed at major Europe-based worldwide film festivals.As the Academy's options sometimes confuse or irritate fest developers, obtaining the Oscar press remains a validation they provided the best choices.For Dieter Kosslick, Berlin Film Festival topper, seeing three photos that opened up at his fest -- "Pina," "The Turin Equine" and "A Separation" -- fighting to have an Oscar nom is an optimistic signal by itself.InchAn Oscar isn't just the greatest film award within the U.S., it's among the greatest awards the worldwide film community has and contains a genuine commercial effect on a movie,Inch he states. "The 2011 Berlin selection had attracted some critique and I am pleased to observe that nine several weeks later we are benefiting from confirmation that people really were built with a great selection."But thinking about the main difference in taste between Men and women and also the American (foreign-language Oscar) voters, it is a tough job for national committees to second-guess the film which has the very best opportunity to win, states Olivier Pere, Locarno Film Festival director.The Cannes Film Festival has frequently tested films that continued being Oscar records which year isn't any exception: Lebanon and Nigeria are repped by Not Certain Regard gamers "Where Will We Go Ahead NowInch and "Beauty," correspondingly. Turkey's "Not so long ago in Anatolia," Israel's "Footnote" and Finland's "Le Havre" all bowed competing at Cannes.But Cannes' penchant for pure auteur films does not always mesh well with foreign-language Oscar voters' tastes. This past year, for example, Gaul's selection committee, including the fest's topper Thierry Fremaux, had selected the fest's Grand Prize champion, Xavier Beauvois' "Of Gods and Males," to represent France in the Academy awards, but pic unsuccessful to really make it in to the narrow your search, regardless of as being a critics' darling. However, a French majority co-production, Algerian entry "Outdoors what the law states,Inch which opened up at Cannes competing coupled with a far more mainstream streak than "Males," made the cut.This season, Gaul's committee selected "Promise of War," an beneficial drama from thesp-switched-helmer Valerie Donzelli that did not open in the festival but rather bowed at Cannes Critics' Week, which runs at the same time using the fest.Jean-Christophe Berjon, former topper of Critics' Week, who had selected "Promise of War," states the film may be too unconventional and audacious to seduce Academy voters."The designated committee that votes for foreign-language films is mainly comprised of aging or upon the market Hollywood people that favor features that are not always probably the most daring and tends to choose films which have a large emotional or narrative component along with a significant crossover appeal," states Berjon, who's the audiovisual attache in the French Embassy in Mexico.Yet, as Giorgio Gosetti, artistic director of Venice Days, the individually run portion of the Venice Film Festival, highlights, "recently, the foreign film Oscar is a real lottery, totally unpredictable, according to a lot of variables.""When Japanese film 'Departures' won last year, the sensation I'd was that they are attempting to surprise us, to exhibit us they, too might be intellectual snobs, or at best exotic, when confronted with all of our European prejudices the foreign Oscar committee just went for that world's more mainstream quality movies," states Gosetti, who had selected Canadian helmer Denis Villeneuve's "Incendies." It obtained an overseas Oscar nom this past year, for Venice Days.Some fest developers claim the Oscar may be the last factor on their own minds once they choose films, Pere states he thinks in a different way."Maybe in Europe you will find there's different perception and therefore are less concerned or obsessed concerning the Academy awards. But at Locarno we're careful about choosing a particular quantity of films that may get worldwide attention, and particularly that can be appreciated by experts, audiences, along with other festivals all over the world.InchPere notes the Piazza Grande programming is targeted toward quality mainstream arthouse films that may have a career overseas and, especially, in the usa.In accordance to Tribeca Film Festival artistic director Frederic Boyer, who drawn on Karl Markovics' debut feature "Breathing" (Austria's Oscar race entry this season) for that Directors' Week when he headed that org, be it the festival, Critics' Week or Directors' Week, each is an important launchpad for auteur films.Kosslick, however, states premiering a movie within an worldwide festival for example Berlin (or Cannes, Venice, Locarno, San Sebastian and Sundance) certainly underscores its potential. "However I can't say I am accountable for positioning films for Oscar attention -- the company directors, producers and marketers deserve all of the credit for your."Per Jean-Charles Tesson, a movie journo that has changed Berjon as topper of Critics' Week, the Oscar voters unquestionably give consideration as to the Cannes along with other top European film festivals do because through the years, these festivals have introduced and celebrated worldwide filmmakers and thesps, including American beginners, who continued to achieve recognition within their homeland."The Academy really wants to make certain it honors films and auteurs who go onto mark history, alongside the greater mainstream photos," states Tesson.Recently, Kosslick, for example, has selected "Monster's Ball" and "Monster," each of which gained their particular leading stars, Halle Berry and Charlize Theron, Oscar nods.And delay pills work for both, states Tesson. "The Academy can occasionally make options that may been regarded as too academic or consensual nevertheless its judgment matters enormously since it reflects the way in which Hollywood sees foreign cinema."As Gosetti highlights, "With possibly more films segueing from festivals to Oscar prospects I believe people need to understand that festivals have to take full advantage of this chance."EYE Around The Academy awards: Language Fests get kicks from kudos Designed for greater success Pix playing for national pride Message sent via special delivery Contact the range newsroom at news@variety.com

As Dork Catches Jay, Would be the Late Evening Wars Over?

The Tonight Show Recall the late evening wars? Since you will find a lot of options on television - even just in the bed time hrs - the thought of Jay versus. Dork appears quaint.Which was even more apparent this November, because the fight between your two late evening leaders found a draw. The Tonight Show With Jay Leno (3.six million) still held a small edge over Late Show With David Letterman (3.4 million) in audiences. But the very first time since 1994, Letterman (having a .9 rating) handled to conquer Leno (.8 rating) within the grown ups 18-49 demo."It is good, and i believe many of the credit would go to CBS," Late Show executive producer Take advantage of Burnett states of Letterman's victory. "CBS continues to be really effective in primetime."Leno continues to be hurt by NBC's weak primetime rankings. Plus, not every one of Leno's audience came back when he moved to the Tonight Show this past year within the wake from the Peacock network's late evening debacle (and the ill-fated 10 p.m. show). "When Jay was at 10, NBC wasn't developing primetime shows at 10," one insider notes.As Leno lost a chunk of audiences, Letterman has simply handled to stay steady together with his loyal audience. Which has introduced parity between your two rivals. "Late Show amounts happen to be stable in the last few years,Inch Burnett states. "In present day world this is a homer.InchFor those intents and reasons, the November sweeps results might have been the surest sign yet the nearly two-decade fight between TV's talk show superpowers is virtually over. Both shows aren't cannibalizing one another any longer rather, they are being assaulted in the outdoors - with a resurgent Nightline as well as an progressively crowded late-evening cable battleground, that has removed more youthful audiences from the broadcast systems."The genre is going to be assaulted," states one late evening insider. "It's already transformed. Should you go in time, there is a period when a comedian did Johnny Carson or David Letterman plus they grew to become famous overnight. Individuals days are gone. The cultural relevance of talk shows, the layer that Carson and Letterman held and hold, that'll be tough to maintain later on due to the fact you will find a lot of channels and options. Within the past, everybody funneled in, you viewed Johnny and Dork and subsequently day everyone was speaking about this.InchWell done just introduced that it is Andy Cohen-located Watch What Goes On Live will end up a five-evening-a-week series, joining a cable area which includes Comedy Central's Jon Stewart and Stephen Colbert, TBS' Conan O'Brien and E!'s Chelsea Handler. Plus there is Adult Go swimming, Cartoon Network's block that frequently beats everybody - including Leno and Letterman - among grown ups 18-49.However the greatest change affecting late evening is Digital recording device playback, based on CBS research chief David Poltrack. Poltrack states Digital recording device usage at 11:30 p.m. would with each other rate a 3. in grown ups 18-49, nearly doubling what Leno and Letterman rate combined. "It can make for many interesting dynamics," he states.Adds one insider: "Now you are competing against shows like CSI, and [talk shows] aren't actually meant to achieve that.InchPast due evening talk shows will not disappear, however - they are valuable as cheap and simple methods for getting into original programming, particularly on cable. "This is actually the strange paradox of talk shows," one professional states. "All of the options and recorded programming is attacking late evening viciously, but each one of these channels need programming. Talk shows continue to be and can remain relatively affordable to create. But the way forward for these talk shows is much less production. They'll be more compact shows - just one host meeting with visitors, very little production or cost."Meanwhile, as Letterman remembers his edge over Leno the very first time in 17 years, attention will quickly focus on if the host is really prepared to retire. We'll likely discover the coming year whether gossips he intends to depart in 2013, when Letterman would be the same age as Johnny Carson when he upon the market, hold true.Letterman and CBS remain mother on which the near future brings. For the time being, Letterman seems to be getting fun on air, particularly as the second presidential campaign approaches. "Whenever there is something in news reports, people need to see what Dork needs to say about this,Inch Burnett states. "Elections guarantee you some topical material. And also the strength recently Show is Dave's perspective on the given subject. Anybody who's seriously interested in becoming leader from the U . s . States In my opinion must sit lower across from Dork."Sign up for TV Guide Magazine now!

'Tyrannosaur' roars at Bifas

'Tyrannosaur'Considine Brit thesp Paddy Considine demonstrated his chops like a director as his debut feature "Tyrannosaur" clicked up three laurels in the British Independent Film Honours on Sunday evening working in london.Picture won best British independent film and gained Considine the Douglas Hickox Award for the best debut director while star Olivia Colman walked away using the best actress award.The a million ($1.5 million) pic, created through Warp Films' low-budget Warp X label, is all about a guy affected by violence and rage who forms an unlikely bond having a Christian charitable organisation-shop worker.Lynne Ramsay acquired the director award for "We have to Discuss Kevin." Michael Fassbender nabbed actor honors for his perf in Steve McQueen's "Shame," where the play a troubled guy battling to be prepared for his sex addiction.Vanessa Redgrave won supporting actress on her performance in Rob Fiennes' directorial debut, "Coriolanus," while Michael Smiley nabbed the supporting actor award for his perf in "Kill List" (also created through Warp Films.)Andrew Haigh's gay romance, "Weekend," gained honours for fulfillment in production and many promising newcomer for thesp Tom Cullen.Best script visited Richard Ayoade for his debut feature, "Submarine," also created by Warp, as the Raindance Award visited Koutaiba Al-Janabi's "Departing Baghdad."Working Title's docu "Senna," about racing driver Ayrton Senna, nabbed the documentary prize while its "Mess Tailor Soldier Spy" won technical achievement for production designer Maria Djurkovic.Best foreign independent film visited Asghar Farhadi's "A Separation."Multi-hyphenate Kenneth Branagh was feted using the Variety Award, which recognizes an actress, helmer, scribe or producer that has assisted focus the worldwide spotlight on Blighty.Fiennes acquired the Richard Harris Award, which recognizes outstanding contribution to British film by an actress.Graham Easton, Boss of completion guarantee service Film Finances, won the special jury prize.Industryites including Ron Howard, Difficulties, Bradley Cooper and Rebecca Hall were present in the star-studded ceremony, held at Old Billingsgate working in london, that was located by actor and comedian Chris O'Dowd.The ceremony was streamed live the very first time on streaming and VOD service Lovefilm. Contact Diana Lodderhose at diana.lodderhose@variety.com

Nostalgia For The Light Takes IDAs Feature Documentary Award

Nostalgia for the Light from Chilean filmmaker Patricio Guzman was named best feature Friday night at The International Documentary Association’s 2011 Awards at the DGA Theatre in West Hollywood. Event was hosted byavant-garde impresarioJosh Fox, Sundance veteran/Webby Awards founder Tiffany Shlainand IDA Board President Eddie Schmidt. Documentary filmmakerLucy Walker lenther DJ skills spinning live during the show. Les Blank was recognized for Career Achievement for a body of work encompassing the lives and music of people at the periphery of American society. Iraq and Afghanistan war photographer/correspondent Danfung Dennis received the Jacqueline Donnet Emerging Documentary Filmmaker Award. List of winners and nominees in each category follows. BEST FEATURE AWARD NOSTALGIA FOR THE LIGHT (Winner) Director/Writer: Patricio Guzmn Producer: Renate Sachse Atacama Productions (France), Blinker Filmproduction GmbH and WDR (Germany), and Cronomedia Ltda. (Chile), Icarus Films BETTER THIS WORLD Directors/Producers/Writers: Katie Galloway & Kelly Duane de la Vega Producer: Mike Nicholson Executive Producers: Julie Goldman, John Battsek, Nicole Stott, Chana Ben-Dov, Sally Jo Fifer (ITVS), Simon Kilmurry (American Documentary|POV) Loteria Films, Bullfrog Films, Cat & Docs HOW TO DIE IN OREGON Director/Producer: Peter D. Richardson Executive Producers: Melody Korenbrot, Sheila Nevins (HBO) Supervising Producer: Jacqueline Glover (HBO) Associate Producers: Sophie Harris, Jordan Curnes Clearcut Productions in association with HBO Documentary Films THE REDEMPTION OF GENERAL BUTT NAKED Directors/Producers: Eric Strauss & Daniele Anastasion Executive Producers: Gregory Henry, David Shadrack Smith Part2 Pictures THE TINIEST PLACE (EL LUGAR MS PEQUEO) Director: Tatiana Huezo Executive Producer: Liliana Pardo, Henner Hoffman Producer: Nicols Celis Centro de Capacitacin Cinematogrfica/Foprocine BEST SHORT AWARD POSTER GIRL (Winner) Director/Producer: Sara Nesson Executive Producer: Sheila Nevins (HBO) Producer: Mitchell Block Supervising Producer: Sara Bernstein (HBO) Consulting Producer: Ross Kauffman Portrayal Films, Inc. in association with HBO Documentary Films BROKEN DOORS Director/Producer: Goro Toshima MAYA DERENS SINK Director/Producer/Writer: Barbara Hammer Barbara Hammer Productions MINKA Director/Producer: Davina Pardo Producer: Andrew Blum Birdling Films THE WARRIORS OF QIUGANG Director/Producer: Ruby Yang Executive Producer: Walter & Shirley Wang Producer: Thomas Lennon Thomas Lennon Films, Smiley Film Distribution & World Sales, Cinema Guild BEST LIMITED SERIES AWARD BOOMTOWN (Winner) Executive Producer/Director: Rachel Libert Executive Producers: Josh Braun, Ken Druckerman, Susannah Ludwig, Banks Tarver Co-Executive Producer: Matthew Galkin Producer: Kevin Vargas Left/Right Inc., Discovery Channel- Planet Green IF GOD IS WILLING AND DA CREEK DONT RISE Director/Producer: Spike Lee Executive Producer: Shelia Nevins (HBO) Producer: Sam Pollard Supervising Producer: Jacqueline Glover (HBO) Line Producer: Butch Robinson 40 Acres and a Mule Filmworks for HBO Documentary Films MICHAEL FEINSTEINS AMERICAN SONGBOOK Director/Producer/Writer: Amber Edwards Executive Producer: Ken Bloom Co-Producer: Dave Davidson Hudson West Productions, PBS THE NATIONAL PARKS PROJECT Directors: Brenda Kovrig, Mike Downie, David New, Sarah Goodman, Jeff Thrasher, Sean Michael Turrell, Ryan J. Noth, Geoff Morrison Executive Producer: Michael McMahon Producers: Joel McConvey, Kristina McLaughlin, Kevin McMahon, Michael McMahon, Geoff Morrison, Ryan J. Noth Writer: Joel McConvey Primitive Entertainment Inc., FilmCAN, FilmOption International Inc. ON SERIES Directors: Tom Barbor-Might, Jon Brooks, Neil Edson Executive Producers: James DuBern, James Baker Producers: Tom Barbor-Might, Toby Lichtig Current TV BEST CONTINUING SERIES AWARD POV (Winner) Executive Producer: Simon Kilmurry Co-Executive Producer: Cynthia Lpez VP of Programming and Production: Chris White Series Producer: Yance Ford Coordinating Producer: Andrew Catauro American Documentary | POV 30 FOR 30 Executive Producers: Keith Clinkscales, John Dahl, Joan Lynch, Connor Schell, Bill Simmons, John Skipper, John Walsh ESPN Films AMERICAN EXPERIENCE Executive Producer: Mark Samels Senior Producer: Sharon Grimberg PBS THE PASSIONATE EYE Executive Producer: Catherine Olsen Producers: Andrew Johnson, Carissa Neekon, Rosa Kim, Julia Nunes CBC News Network VANGUARD Executive Producers: Jim Fraenkel, Adam Yamaguchi Producers: Christof Putzel, Adam Yamaguchi, Mariana van Zeller, Darren Foster, Cerissa Tanner, Jeff Plunkett, Alex Simmons, Joanne Shen, Noreen Moustafa, Yasu Tsuji Current TV DAVID L. WOLPER STUDENT DOCUMENTARY AWARD This award recognizes exceptional achievement in non-fiction film and video production at the university level and brings greater public and industry awareness to the work of students in the documentary field. GUAAPE SUR (Winner) Director/Executive Producer/Writer: Jnos Richter Executive Producers: Heidi Gronauer, Lorenzo Paccagnella Producer: Georg Zeller ZeLIG- School for Documentary, Andanafilms, Icarus Films HEART-QUAKE Director/Writer: Mark Olexa Executive Producers: Heidi Gronauer, Lorenzo Paccagnella Producers: Georg Zeller, Nadia Caruso ZeLIG – School for Documentary RIVER OF VICTORY Director/Producer: Trevor Wright Executive Producer: Jack Emery Producers: A. Todd Smith, Jordan Augustine Full Mountain Pictures, Brigham Young University SMOKE SONGS Director/Producer/Writer: Briar March On the Level Productions, Standford University TRANSIT Director/Writer: Regina Tan Producers: Haley Quartarone, Juvia Chua, Emily Manheim Writer: Eysham Md Ali Chapman University Singapore, Chapman University HUMANITAS DOCUMENTARY AWARD The HUMANITAS Documentary Award is given to a documentarian whose film strives to unify the human family by exploring the stories of human beings who are different in culture, race, lifestyle, political loyalties and religious beliefs. POSITION AMONG THE STARS (STAND VAN DE STERREN) (Winner) Director/Writer: Leonard Retel Helmrich Producer/Writer: Hetty Naaijkens – Retel Helmrich Scarabee Films and HUMAN Broadcasting in association with HBO Documentary Films THE CARRIER Director/Producer/Writer: Maggie Betts Executive Producer: Roland Betts Producers: Ben Selkow, Joedan Okun, Benjamin Prager Tent Full of Birds Productions HOW TO DIE IN OREGON Director/Producer: Peter D. Richardson Executive Producers: Melody Korenbrot, Sheila Nevins (HBO) Supervising Producer: Jacqueline Glover (HBO) Associate Producers: Sophie Harris, Jordan Curnes Clearcut Productions in association with HBO Documentary Films THE LEARNING Director/Producer/Writer: Ramona S. Diaz Executive Producers: Tony Gloria for Unitel, Sally Jo Fifer (ITVS), Simon Kilmurry (American Documentary|POV) CineDiaz, POV, Women Make Movies THE TINIEST PLACE (EL LUGAR MS PEQUEO) Director: Tatiana Huezo Executive Producer: Liliana Pardo, Henner Hoffman Producer: Nicols Celis Centro de Capacitacin Cinematogrfica/Foprocine ABCNEWS VIDEOSOURCE AWARD This award is given each year for the best use of news footage as an integral component in a documentary. THE PRUITT-IGOE MYTH (Winner) Director/Producer/Writer: Chad Freidrichs Producers: Jaime Freidrichs, Paul Fehler, Brian Woodman Unicorn Stencil Documentary Films THE GREEN WAVE Director/Writer: Ali Samadi Ahadi Producers: Jan Krueger, Oliver Stoltz Dreamer Joint Venture Filmproduktion, Red Flag Releasing MICHAEL FEINSTEINS AMERICAN SONGBOOK- EP. 2 BEST BAND IN THE LAND Director/Producer/Writer: Amber Edwards Executive Producer: Ken Bloom Producer: Dave Davidson Hudson West Productions, PBS POV- THE MOST DANGEROUS MAN IN AMERICA: DANIEL ELLSBERG AND THE PENTAGON PAPERS Directors/Producers/Writers: Judith Ehrlich and Rick Goldsmith Executive Producer: Jodie Evans, Sally Jo Fifer (ITVS) Simon Kilmurry (POV) Co-Executive Producer: Cynthia Lpez (POV) VP of Programming and Production: Chris White (POV) Series Producer: Yance Ford (POV) Coordinating Producer: Andrew Catauro (POV) ITVS, American Documentary | POV REAGAN Director/Producer/Writer: Eugene Jarecki Executive Producers: Nick Fraser, Sheila Nevins (HBO) Co-Executive Producer: Roy Ackerman Senior Producer: Lisa Heller Producer: Kathleen Fournier Co-Producers: Melinda Shopsin, Christopher St. John Associate Producers: Daniel DiMauro, Shirel Kozak Consulting Producer: Alexander Johnes Charlotte Street Films in association with HBO Documentary Films PARE LORENTZ AWARD The Pare Lorentz Award recognizes films that demonstrates exemplary filmmaking while focusing on the appropriate use of the natural environment, justive for all and the illumination of pressing social problems. THE LAST MOUNTAIN (Winner) Director/Producer/Writer: Bill Haney Executive Producers: Tim Disney, Sarah Johnson Redlich, Tim Rockwood Producers: Clara Bingham, Eric Grunebaum Writer: Peter Rhodes Uncommon Productions, Dada Films, New Video Creative Recognition Awards BEST CINEMATOGRAPHY IL CASTELLO (Winner) Cinematography: Massimo D’Anolfi Directors: Massimo D’Anolfi & Martina Parenti BEST EDITING SENNA (Winner) Editors: Chris King & Gregers Sall Director: Asif Kapadia BEST MUSIC BETTER THIS WORLD (Winner) Composer: Paul Brill Directors: Katie Galloway and Kelly Duane de la Vega

Panelists ponder storytelling, franchises

Discussion in the closing sections from the Variety Entertainment Application Conference on Thursday switched towards the role of storytelling within the digital space and just how entertainment franchises could be extended within the digital realm. In the mid-day "Application Franchise" panel, Chris Hewish, mind of worldwide interactive at DreamWorks Animation, reflected around the partnership that produced a version of mobile-device game "Fruit Ninja" starring Puss in Boots, in the "Shrek" toon world. He stated the task ended up being to integrate the 2 galaxies in ways which was significant towards the audiences for qualities. "We wouldn't simply do something which would cheapen both brands," Hewish stated. "We actually want to make certain they could create something which was an incremental improvement and additive for their game." The ultimate panel during the day, "The Designers," investigated the role of storytelling within the digital space. Matt Kozlov, Boss of mobile entertainment writer Moonshark, centered on the necessity to create engaging figures, that they reported as "the main reason your children all have (the) 'Talking Tom Cat' (application) and also the 'Virtual Pet' series. It is the same factor that made us wish to have fun with figures within the 1980s." Alex Barkaloff, executive producer of digital media at Lionsgate, talked about how figures in the existing studio's qualities, for example AMC's "Mad Males," may be built-into different platforms. "Where would Don Draper purchase a steak or find an Traditional?" Barkaloff recommended like a concept to have an application associated with the series. "It is a merge of Foursquare and also the backstory in our figures." While panelists famous existing models for storytelling and character rise in the area of mobile programs, some stated there's lots of space for growth which the very best jobs are still in the future. "Has anybody nailed it with interactive filming around the iPad? Not whatsoever, not," stated Dustin Callif, founding father of the development company Tool. "There is a major chance to perform a new kind of story." Contact the range newsroom at news@variety.com